Since they’re often heavily stylized there’s a greater suspension of disbelief, and this allows for even more outlandish characters, slapstick humor and wild, death-defying capers to prevail. The hand-drawn animation of Disney’s animated movies allow for magical beings and fantastical scenarios to be realized. Plus, Iago acting like a normal parrot is a major problem in the film itself. Even so, the fact that the Aladdin remake doesn’t seem interested in retroactively adopting this kind of nuance means that Iago feels rather short-changed. This is an unusual amount of development for a villainous source of comic relief. Iago’s desire for money and power remained, yet they were frequently at odds with his affection for his new friends: Aladdin and Co.
#Aladin bird series#
Certainly, Aladdin’s direct-to-video sequels and animated series gifted Iago a conflicted morality. Though Disney have developed many lovable sidekicks, Iago was immediately distinctive - not just because of Gilbert Gottfried’s unique vocals - but due to how he was developed in the wider animated franchise.
Related: Aladdin 2019: Biggest Changes From The Original Animation
#Aladin bird movie#
But changing Iago to resemble these standard creatures does both the character and the movie a disservice. After all, pop-culture is filled with many disconcerting, villainous pets. Normally this wouldn’t be a complication. Moreover, Iago was, traditionally, a comical companion, but the 2019 version is a rather sinister counterpart for the film’s villain. Conversely, the remake sees Jafar gain a more conventional feathered friend, whose personality is more subdued and whose broken speech is like a real parrot’s.
In the animated Aladdin movie, Iago is an intelligent - yet easily angered - wisecracking bird. But the problem with this Iago stems not from the movie’s plot, but from his characterization. Even with the new scene where Iago transforms into a mythological roc and pursues Aladdin and his companions, his role largely remains the same.
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